Anyway, Bob and I and our good friend (and artist and art dealer) Ellen piled into her Prius and hit the streets of Chelsea (after surviving traffic jams coming and going), secured parking and walked on the High Line for a few blocks- always a treat! until we ran smack into the new Whitney Museum. Somehow, it had looked more impressive (from the outside) while under construction, but the above shot- with the aid of sexy evening lighting- looks pretty smart. We were able to skip the line which snaked around the block, as Ellen is a member, but to our chagrin, no guests were allowed on her pass, so we ponied up $44 for Bob and me. Kinda steep and I was already feeling a bit peeved...
But we proceeded into the cavernous main hall to take an elevator up to look at art. In my humble estimation, the main lobby looked like an airport terminal and there was not a painting or sculpture to be seen. And the elevators either weren't working or were being used for some other purpose, as there were throngs of people sort of standing around, staring at the closed doors. We opted for the stairs.
These particular stairs led us up three flights and then sort of landed us in another lobby. There were uncomfortable looking people holding some sort of meeting in a glass partitioned office space and it's a good thing they were on view, as there was still no art to be seen. And this is three stories up. Or options here were stand in front of the still seemingly implacable elevator doors (more throngs) or climb more stairs. Deciding that the cardiovascular benefits of climbing further stairs was a fine idea, we set out trying to find the stairs. It became apparent that the design of this new museum left a lot to be desired. The floor plan is not at all intuitive, and they seemed to like to hide the stairways. There were many cul-de-sac office hallways and a few dead ends before we located the stairs. And climb we did, on stairs that hardly seemed intended for use by paying customers, as they were sketchily painted and sort of service-entrance underwhelming. (I get the fact that the entire architectural message here screamed "Industrial!")
When we finally ascended to floor seven or eight, we realized that our timing was poor as the major opening show was closed and the next block buster was being installed. We had paid full entrance to see mostly permanent collection; which is fine as they have a swell collection, but we couldn't help but feel a tad gypped. (Yes, I think that's now a politically incorrect term... sorry!) There was a good show of an African American painter, Archibald Motley, (great name) who painted jazz age crowded pictures. We enjoyed the decks that cantilever out from the building and the views of lower and mid-town Manhattan were truly stunning (and on a picture perfect nary a cloud blue sky sort of day) but Ellen pointed out that she had wanted to walk further around the building on the outside, and the decks sort of dead-ended. The entire floor plan seemed to give art a back seat to office space and hallways and "staff only" signs. The circular revolving doors were damned heavy, too! A helpful security guard set one spinning for us...
I think I'm trying to reinforce that the impression of the actual building wasn't optimal. The three of us were a bit disappointed; you do want to be wowed for the initial visit to a major museum and so many people had raved. I felt cheated at having shelled out $44 and not been warned that several major gallery sections were closed for install. We did enjoy an interesting meal at the cafe on the top floor: a tripod of fish croquettes in a bean salad and really nice sauce. Best part of the trip! And lots of art world chatter and fine company! But I hate to say that we won't be paying a repeat visit any time soon.
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